ジャーヒリーヤ詩の再解釈 : アトラール(宿営地跡)モチーフを中心に
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概要
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The Arabic classical poetry (qasida), together with Qur'an, has been regarded as an eminent achievement of the Arabo-Islamic literature and its profound source of creativity. Traditional criticism both in the East and the West, however, has not sufficiently succeeded in evaluating it. The conventional view of qasida, which is realistic and fragmentary in essence, has limited its reading and failed to explore its rich world of imagery. Concerning classical qasida, Such cliches as Arab-bedouin's materialism, lack of imagination, boresome mannerism have been reproduced and they pervaded in general public. Around 1970, new trends of qasida study emerged. They criticized the conventional view of classical qasida and aimed at its revaluation by studying mainly pre-Islamic works from new perspectives. Chapter I of this paper reviews these trends, such as Yusuf al-Yusuf, Mustafa Nasif, the mythical critic school, the structuralist analysis of Kamal Abu-Deeb and Adnan Haydar, and Chicago School of Jaroslav Stetkevych and Suzanne Pinckney Stetkevych. In Chapter II, based on the former studies, especially S. Stetkevych's, the author argues that the standard pattern of classical qasida shows a process of rebirth on two intertwined levels; the first is the rebirth of man represented by the poet's persona, and the second is the rebirth of tribal community. In contrast to the traditional critics, this paper, through the detailed discussion of such significant terms and images as dar (campsite), traces, questioning and separation, establishes that atlal (abandoned encampment), one of the dominant motifs of opening section of qasida, is a place of poetic imagination and plays crucial role within the whole structure of qasida.
- 日本中東学会の論文
- 1997-03-31
著者
関連論文
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- ジャーヒリーヤ詩の再解釈 : アトラール(宿営地跡)モチーフを中心に
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