ル・コルビュジエの建築世界における人間像と空間構成の原理 : ル・コルビュジエの建築制作に関する研究 その13
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概要
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The purpose of this study is to clarify the relationship between the image of the sort of person in Le Corbusier's architectuiral sphere and the principle of his planning system. The point which the author especially enphasizes is that his experience of the "Voyage d'Orient" seem to be an important fact to explain the principle of his planning system. He wrote to L'Eplattenier the solitude in a true artistique production not in the sense of solidarity in decorative art. It was in this context of solitude that the signification of spatial experiences in the "Voyage d'Orient" is clarified for his planning system. From this vue point, the Open Hand seems to be a worthwhile subject to investigate. In this paper,I visualize it, making a comparison with the principle of his planning system.
- 社団法人日本建築学会の論文
- 1995-11-30
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関連論文
- ル・コルビュジエの建築世界における人間像と空間構成の原理 : ル・コルビュジエの建築制作に関する研究 その13
- ル・コルビュジエの建築制作における絵画の意義 : ル・コルビュジエの建築制作に関する研究 その12