近松世話物浄瑠璃に見る <うち> と <よそ> : 近松全集第十七巻所収『横井宗内宛書簡』に拠る作品理解の試み

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概要

• 論文の詳細を見る

• Chikamatsu Monzaemon's Sewa-joururi (contemporary puppet plays) is written only 23 pieces. Others were all Jidai-koururi (traditional puppet plays on histry), which come up to overwhelming number. But we must say, in spite of its extremely small share, they are so popular and important. In this essay, I intended to use several terms that found in a certain private letter addressed to Yokoi Sounai, one of Chikamatsu's friend. This letter is written in his closing years, conperatively long, and tells about his character and conviction held by Chikamatsu himself about how to live. Jidai-joururi always has confrontation between good and bad. But Sewa-Joururi seems to have none like that. I must say, this is a small trial to find something like a tenet, on the assumption that some may be lain as the basis of Sewa-Joururi World.

• 活水女子大学の論文
• 2005-03-31

著者

• 常吉 由樹子

  活水女子大学現代日本文化学科

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• 「こころ」の問題と道徳教育 : 共通教養課程の講義「ことばと人間」のための前提
• 『沙石集』の和歌論 : 和歌陀羅尼論の意義と本質
• 近松世話物浄瑠璃に見る と : 近松全集第十七巻所収『横井宗内宛書簡』に拠る作品理解の試み
• 近松世話浄瑠璃『夕霧阿波鳴門』にみる《虚実皮膜論》

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