ルイス・カーンの思惟に於ける構造と光の問題
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概要
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The radicalism of his retrospective inquiry into Beginnings is the fundamental attitude in Kahn's way of thinking. His words concerning Silence and Light in his latter years can be interpretated as a way of "Reduction", which leads us to "an ambient threshold", that is, a place of Beginnings. The task of this paper is to make a thematic analysis of the ontological meaning of "Structure" or "a light giving element", and it will be described in four chapters as follows: 1. The illustration of light and the problem of Structure 2. Explication of the illustration concerning correlation between Silence and Light 3. The primordial meaning of "the emergence of the column" 4. Structure and Light in the Assembly Hall, Dacca. The inquiry into "being-sense" of light is the subject of thought in Kahn's work and language. Light is not "tabula rasa" to his way of thinking. Kahn, who wanted to illustrate Silence and Light, realized that the stroke of the pen was where the light was not. His remark that "Structure is the giver of light" is here by recalled. The column in the Greek Temple, he sensed, is where the light is not. He illustrated three kinds of diagrams concerning the correlation between Silence and Light. The existential meaning of Silence is explicated in terms of the intentional analysis in the changing nature of these illustrations. The ontological meaning of the Assembly Hall, Dacca can be described in contrast to the Greek Temple as follows: The Greek Temple! Darkness-light, darkness-light, darkness-light The Assembly Hall, Dacca '. Silence-light, silence-light, silence-light This way of thought indicates Kakn's attitude to tradition, ie that tradition is "a golden dust".
- 1988-10-30
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