近代建築における造形的洗練についての一考察

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概要

• 論文の詳細を見る

• H,R. Hitchcock and P.Johnson laid down the effect of volume as the main aesthetic principle of modern architecture. But there are many indispensable modern architectures which do not fit the principle. There are verious effects except volume. So taking account them, it seems that volume is not the only aesthetic principle of modern architecture and it must be reexamined. It is the motive of this study and it's subject is to look over the exteriors of modern architecture again from a point of effect, optical image of substance, and to reexamine the formative principle of modern architecture in verious aspects. To study the problem. I examined the process of formative refinement in a design process and in the development of works. The samples are the design process of J. Stirling's Leicester University Engineering Building and P. Rudolph's Yale University Art and Architecture Building, and the development of Le Corbusier's houses in 1920's. As the result of the analysis, there seems to be common tendencies, the stabilization and homogenization of the optical image of substance. The formative principle in Hitchcock and Johnson, the principle of volume, seems to be interpreted the unification of the optical image of substance. So there is something common between them, but on the other hand there is an important difference. It seems that the stabilization and the homogenization of the optical image of substance have a possibility to develop the principle of Hitchicock and Johnson, and to become a clue to search for the aesthetic principle of modern architecture.

• 社団法人日本建築学会の論文
• 1985-02-28

著者

• 佐野 潤一

  大阪大学

関連論文

• 近代建築における造形的洗練についての一考察
• Le Corbusierの1920年代の住宅における外観の変遷について : 近代建築造形論・2
• 9019 J.STIRLINGとP.RUDOLPHの造形過程について : 近代建築造形論(1)(建築史・建築意匠)

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