高山樗牛と美の悲哀
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概要
- 論文の詳細を見る
Among the many excellent critics of the Meiji Era, Chogyu Takayama (1871-1902) cut a remarkable figure, despite the short period of his activity and the winding nature of his thought, with his two conflicting attitudes : lyricism and intellectualism. His aesthetical paper, "On Beauty in a Moonlit Night" (1899), written while his views were changing from an ultranationalist to a radical individualist stance, is of particular importance. In it he consistently adheres to the idea that true beauty is essentially sorrowful-an opinion based upon the coherent idealism of his moral sensibility and upon the notion of the agony of thinking. Following this romantic line of thought, he even suggests that aesthetic pleasure and longing for beauty must, intrinsically, be sad and ephemeral.
- 美学会の論文
- 1986-09-30
美学会 | 論文
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