アリストテレス『詩学』におけるミュートスとエペイソディオン
スポンサーリンク
概要
- 論文の詳細を見る
In the seventh and eighth chapters of Poetics, Aristotle tries to derive several general requirements for the tragic μυθοζ. Μυθοζ should have the unity and the wholeness. In this paper, the contributor will re-evaluate the concept of the μυθοζ and try to show that it is not the "combination of the Incidents" performed before the audience, but that imitated through a work. To use Russian Formalists' terms, Aristotle's μυθοζ is fabular in that it contains actions outside the drama. This interpretation of the tragic μυθοζ sheds new light on the meanings and dramatic functions of two important but cumbersome terms discussed in Chapter 17, namely, λογοζ καθολου and επεισοδιον. Λογοζ καθολου is neither a kind of Ur-μυθοζ nor it cannot be identified with the μυθοζ itself. Rather, it is a chronological structure of the essential events abstracted from the somewhat concrete μυθοζ for the sake of the determination of the scenes performed before the audience. 'Επεισοδιουν, then, means the sjuzhetization of the fabula regardless of whether each επεισοδιον belongs to the μυθοζ or is taken from the other elements of tragedy that concern the 'object of imitation', namely, ηθοζ and διανοια.
- 2003-03-31
論文 | ランダム
- (1)日本における技術認証と第三者検査(Third Party Inspection)の調査研究およびその普及への貢献
- 新規製品開発への道 : 計画の位置と方向を与える技術の時間軸と空間軸
- 最近十年史に見る機械技術の特質 : フロンティア形成機構をさぐる : 現代をとらえる
- 日本の第三者検査機構の胎動
- 厚肉鋼管の内圧破壊におけるき裂進展様相の考察